Recent Posts by andrefern

I figure everyone has/have looked at the Storyboard – These are additional scenes // Changes.

- We won’t follow the woman in the beginning. Instead we are going to have really nice establishing shots intercut with the girl having a monolog. We will follow the car – but will opt for not knowing the driver to give it a bit more mystic to it.

We have the establishing shots. We have the girl and we have a mysterious car. This will go on until the music montage starts. There we will establish the woman for the first time.

[Bracketed shots are shots we are going to buy]

Shotlist

Black frames…
//Monolog starts//

1. [Heli-shot over a big city.]
2. Slow dolly going to a girl standing on a street corner.
3. [Heli-shot seeing straight down into a big crowded street.]
4. Slow dolly – taking up where we left off. Girl standing.
5. [Heli-shot tracking a black SUV moving down a street.] (VFX)
6. Slow dolly – taking up where we left off. Girl standing.
7. [EST – Derelict street.]
8. New Car scene – Car comes though cloud of mist. Narrow street.
9. [Car drives past street] VFX
10. Slow dolly – taking up where we left off. Girl standing.
11. Car-mount shots – not revealing the driver.
12. Slow dolly – taking up where we left off. Girl standing.
13. Car-mount shots – not revealing the driver.

//Monolog Ends//

14. We see the car come hurdling down the street. We see the girls foot taking a step out into the street.
15. We see the girls face light up

// Crash Sound FX // Fade to Black //

// Only Sound FX //

16. The door on the car opens – A woman’s foot with heels steps out.
17. She walks towards the girl laying lifeless in the street.
18. She kneels down beside her and touch her…
19. A Bright explosion with telling moments.

// Music Montage starts //

20. CU Woman’s Face as she comes to… VFX
21. Above the shoulder seeing the beam // way down to the streets below. VFX
22. Acrobatic movement. VFX
23. We see two paramedics running towards the girl (Small dolly, Slow motion)
24. [We see an ambulance pull up to the] VFX
25. The doctor is looking into a cabinet for drugs. (Backlit)
26. CU tablets fall in hand (Slow motion)
27. CU // Focus Pull // Tablets on the floor with open container – reveal doctor sitting on floor against wall.
28. Doctor running, looking back as a black blob of particles follow him.
29. Doctor jumping off roof. (Landing with a roll)
30. We see the paramedics push the girl on a stretcher down a white isle.
31. We see a homeless man standing in the isle with a neckless in his hands.
32. CU neckless.
33. Angel running towards the camera doing a roundoff.
34. Angel in the clouds flipping

// FADE TO WHITE // MUSIC ENDS..

June 26

08.00 – Erik/Friends picks up Gear in Gothenburg.
11.00 – G-Crew meets up with S-Crew. One hour coordination meeting//Food
12.00 – Angel in Hospital, Doctor in Room.
16.00 – Food (rolling schedule) I.E Cast/Director/DP Eats – Grip/Light/Runners Set up.
19.00 – Rigging down // New Location //
20.00 – Food (rolling schedule)
22.00 – Ready to shoot night scenes.
01.00 – Food (rolling schedule)
04.00 – In beds.

June 27

12.00 Breakfast/One Hour Meeting
13.00 Start Rigging for Green Screen shots.
17.00 Food (rolling schedule)
19.00 – Rigging down // New Location //
20.00 – Food (rolling schedule)
22.00 – Ready to shoot night scenes.
01.00 – Food (rolling schedule)
04.00 – In beds.

June 28

15.00 – Breakfast // One Hour Meeting
16.00 – Additional day shots / Doctor / Greenscreen.
19.00 – Food (rolling schedule)
20.00 – Rigging down // New Location //
22.00 – Food // Ready to shoot night scenes.
02.00 – In beds/Travle to GBG.

This is where we are at:

Part 1:
Ystad is over. We got the shots but I would like some additional shots – establishing the acrobats in their environment. Mattias are still a bit tangled up with details regarding payments and other producer specific details.

Part 2:
Moving into part II which is also known as the “Drama” part will feature a new DP. Erik Andersson from Göteborg. Erik will try to get two of his buddies as assistants. Martin/Johannes will work the grip part. We need a couple of runners. Even if we have to pay for them. We need to break every 3 hours preferably for eating/drinking. Better planning/execution will keep us on top of that. But Eriks friends will have to work fast.

Everyone needs to be updated. I will take this responsibility. We should try to get at least ONE but even better if we could get two production meetings before we shoot. The first one could consist of what went wrong the first time – improving upon what we did good, doing even better this time.

Mattias/Andreas have reworked some of the drama parts to better fit with the overall feeling. I have some additional shots I would like to put in and take a lot of complicated shots out. This will hopefully give us some extra time.

The general time schedule looks like: Pick up gear early June 26. Head down to HBG – Shoot Green screen stuff. Short break – Start rigging dusk/night scenes. Shoot through the night. Try to wrap at 04.00. Sleep until 12.00 June 27. Eat breakfast, rigg/shoot hospital scenes – start to rig for dusk/night shots – shoot until 04.00 and sleep until 12.00 June 28. If needed – get some additional shots. Wrap.

Post:
Jörgen is our man when it comes to post. He will edit and perhaps do a little compositing if needed. When we have a rough cut we will hand it over to Freddie/Emil who will write a underscore/score for the pilot. As they work on that the VFX shots are compiled and any audio elements are being produced hopefully by ljudligan in Göteborg.

• Dates
  AF: I Feel 26-28 is a bit late. But it seems to be the best date we can manage at this time.
  • We have discussed 26-27-28 – June
  • AF – Makes a prel time schedule
  • AF – Makes Callsheet

• Equipment
  AF: Erik is responsible for the equipment, He sends a list to MK/AF for double check. AF looks in to what foggers/Hazers is around. AF also checks solutions and need for wet streets.
  • EA – Makes a equipment list.
  • AF – Check the need of additional foggers.
  • AF – Checks need/possibility for wet streets.

• VFX/Post/EST
  AF: We need a meeting with one or more VFX companies. Mattias is looking into if we can buy establishing shots from Getty Images. Erik let’s us know if he have a proffered colorist or if we need to find someone else.
  • MK – Book a meeting with Filmgate.
  • MK – Discuss EST material with Getty-Images.
  • MK – Writes the Monolog for the girl in the beginning.
  • AF – Books a studio to record the girls monolog.
  • PO – Checks possibility to shoot at Animeros green-screen studio.
  • EA – Colorist?

• Coordination
  AF: We need to keep people more updated. AF takes this on his shoulders.
  • AF – Let’s cast/acrobats know what’s up.
  • AF – Send out an E-mail to cast/crew. Letting people know what’s up.
  • MK – Let’s AF know what crew he would like back on Part II.

• Locations
  AF: I’m pleased with the locations in Helsingborg and don’t really see the need for a location scout. The best he could come up with would be in lund/malmö making the logistics harder. I feel confident about what Helsingborg has to offer.
  • AF – Checks if Maria park or Dunkers could host our needs for interior Hospital.
  • AF – Calls Tomas
  • MK – Talks to Helsingborg about permits.

• Props/Wardrobe
  AF: We need to borrow an ambulance, paramedic clothes and a car. We need to buy clothes for girl and angel. We also need a stretcher.
  • AF – Finds clothes for the Angel to wear.
  • AF – Finds clothes for the Girl to wear.

Sakarias “Sacke” Lindell
Telefon: 070 869 61 10
Mail: sakarias.lindell@insaco.se

David Cederblad
Telefon:070 384 83 97
Mail: davidcederblad@hotmail.com

Louise Malmros
Telefon: 040-23 48 40
Mail: malmros@manfrinato.se

Grundkonceptet är att vi med piloten ska visa följande:

• Att vi kan skjuta drama
• Hur akrobatiken kommer att se ut.
• Att vi kan nå rätt produktionskvalitet

Grundtanken efter det är att piloten ska förmedla större delen av historien på kort tid.

• Upplägget
• Krocken
• Alla karaktärerna
• Akrobatiken

Motivering till pilotens utformning:

Jag har försökt att väga in ekonomiska faktorer och försökt hitta en gyllne mellanväg för att förmedla både drama och akrobatik-biten. Ett förslag som kom fram på Dunkers var att vi skulle fokusera mycket på akrobatiken, men efter mycket omtanke tror jag inte det är en bra idé. Dels för att piloten får onödigt mycket vfx och problematiken att få någon att ta i det ökar men dels att det är praktiska förutsättningar on set så som akrobatens möjlighet att utföra övningar under längre tider är begränsad.

Halva piloten är som tidigare nämnt traditionell drama – med allt vad det innebär, ljudeffekter, ev monolog/dialog osv. Andra hälften är ett musikmontage där vi kommer jobba med att förmedla en känsla mellan bilder och musik.

Musiken kommer vara i långsamt tempo, elektronisk, harmonisk och uppbyggande mot en peak precis när vi ser den hemlösa mannen. Emil Vaker special skriver till oss.

Bilderna till drama-delen kommer har sin visuella inspiration i Eric Maddisons video till The Rasmus.
Vi kommer behöva mycket ljus, en kraftig hazer/rökmaskin och eventuellt en regnmaskin.

Eric Maddison
Inspiration – The Rasmus
Inspiration – Eskobar
Inspiration – Tre
Inspiration – Mitsubishi

Bilderna till akrobatiken kommer skilja sig från drama-delen. I affärskvinnans/ängelns fall är det vackert ljus och blåa himlar. I doktorns segment är det en stad i ruiner och mycket mörkt och dystert.

Igenom hela piloten kommer nyckelfärgen vara en blå/grön.

Fortsättning följer….........

1. When a project is done/cancel/finished, it should be moved into a new category.

2. Enable private/public video clips

Musikanläggningen drar 300W också!
Det måste vi räkna in!

Vi ska inte ha ett litet 2KW agg från den här andra uthyrningsfirman också?
som backup just in case?

/A

Vem e Karen?:)

Haha!
Noll koll men hjälpen är enormt uppskattad!

/A

point of gilla läget passerades för länge sen:)

/A

Du är torr emil :)

I would like some kind of list feature, a 2do list if you will. Where everyone involved in the project could edit.

LOCATIONS

• [] Performance location
  LOST
  LOST!

• [X] Marina Plaza Hotel Room (Guy)
  Scouted
  Confirmation

• [X] Marina Plaza Resturant (Guy)
  Scouted
  Confirmed

• [X] Hilton Hotel Room (Girl)
  Scouted
  Confirmed

• [X] Hilton Hotel Bar/Restaurant (Girl)
  Scouted
  Confirmed

• [ ] Kastrup (good-bye seq)
  Not scouted
  Not Confirmed

• [/] Malmö City by night
  Not Scouted
  CONFIRMED

POSSIBLE BACKUP LOCATIONS
Perfomance location: None
Bar: The Tivoli: Not Cleared
Guys Hotel: Dunkers Kulturhus
Resturant: Dunkers Kulturhus?
Girls home: None
Airport: Malmö Train Station: Not cleard.

ACTORS

• [X] Girl – Claudia
  Scouted
  Confirmed

• [X] Guy – Emil
  Scouted
  Confirmed

• [X] The Other Guy – Carl Hammarlund
  Scouted
  Confirmed

CREW

• [X] 1AC
  Scouted
  Confirmed

• [] 2AC
  Not Scouted
  Not Confirmed

• [ ] PA1
  Not Scouted
  Not Confirmed

• [ ] PA1
  Not Scouted
  Not Confirmed

• [ ] Make-up Artist
  Not Scouted
  Not Confirmed

GEAR

• [X] Hallonbrothers Gear
  Scouted
  Confirmed

• [X ] Optics
  Scouted
  Confirmed

• [X ] Truls other gear
  Scouted
  Confirmed

• [/]Pickup Truck
  Scouted
  Not Confirmed

• [ ] Electricity at performance location
  Not Confirmed

OTHER

• [X] Where does the band sleep?

Yes, that’s true!
I’m checkin but you guys can check too!

We have a total of 35 000+ moms.

Camera Dept

• Optics Rental: 3 500
• Filters: 1 000
• Haze: 350
• Power Plant + fuel: 2 000
  Sub Total: 7 350

Production:

• Actor (girl): 1 000
• Food: 4 000
• Transport: 3 000
• Trailer: 900
• Silence drumkit 200
  Sub Total: 9 100

Locations

• Marina Plaza: 600
• Hilton: 500
• Sockerbruket: 4 000
• Sturup 2 000
  Sub Total: 7 100

Post Production:

• Backup Tape: 500
• Grading: 9 600
• 2 ppl travel to Copenhagen: 400
  Sub Total: 10 500

Total of 33 150 + moms

I do realize this is very loose and a temp schedule!

In the parts where it needs to be dark, it has to be dark outside!

A boy falls in love with a girl, he travels far to see her.
At the resturant where they are supposed to meet he finds himself alone and she is nowhere to be found.

The girl is dating another man but realizes that he’s wrong for her.

She rushes to see the boy but can’t get to his flight in time.

He hated her for leaving, but loved her for not coming back.
Maybe he can forgive her…..

(or something like that) :)

Thursday 12

07.00 – 15.00 Performance: Location Unkown

15.00-18.00 Hilton Hotell – Room Girl

18.00 – 20.00 En kort vila/planeringstid

20.00 – 01.00 Exteriors i Malmö

01.00 – 02.00 Hilton bar Girl/Guy

02.00-09.00 Sleep

Fredagen den 13

09.00-13.00 Hotell Marina Plaza i Helsingborg

13.00 – 18.00 (Pickups) – Alt Performance time.

22.00-24.00 Kastrup Airport

01.00-03.00 Resturant Oceano.

What are your practical plans about this issue Jörgen?
How do we shoot this?

We need to rethink the car shot setup.
Jörgen – Do you have any thoughts about this?

Truls and me didn’t think the glas on barndoor would work.

Performance Part:
Water tower – OK
Scout: Monday

Beautiful girls home:

Guy hotelroom:
Marina Plaza: – OK for shoot on 13th.
Scout: Monday

Bar:
Marina Plaza or Hilton Malmö
Scout: Not scouted

Resturant:
Marina Plaza or Hilton Malmö
Scout: Not scouted

Airport:
Kastrup Copenhagen:
Scout: Tuesday

Exteriors
Malmö – Not scouted